Last time, I promised to show you the corselet featured in Friday’s post on Tuesday. Well, as we all know, life sometimes gets in the way of things. I was running all sorts of errands yesterday, and had to push this week’s first post forward a bit. But as promised, I’m still featuring the velvet print corselet!
This corselet is made with our Embroidered Corselet Pattern. The shape of the pieces is exactly the same, but I did make some modifications to the original pattern. Instead of embroidering the garment, I used a velvet printed fabric for this corselet. The material is elastic, and the print both looks and feels cool. I used the same fabric for binding and bone channels. A contrast colour might have made the end result too busy.
I also added a lace up back to the original style. This is a simple mod: instead of cutting the back piece on fold, cut it in two pieces. Use fusible interfacing to stabilize the edges, sew facings on them, and add eyelets. This makes the corselet look and feel a bit different, and allows it to be altered in size. Elastic garments rarely need to be let out, but it’s still a nice option.
I like to wear these kinds of corsets and corselets with dresses. This style doesn’t have a modesty panel, so it leaves the back partly exposed. It’s difficult to get a skirt waist to remain neatly in place. Dresses are easier in that sense. They offer full coverage, and don’t require tugging or adjusting.
For the photos, I paired my velvet print corselet with our Hooded Dress. The style is made with two layers of light jersey, and can be made with or without a hood. I prefer the hoodless style myself. I have a lot of hair, and it never co-operates with hoods. The basic style of the dress pleases me quite well, though. So much actually that I’ve made another one. I’ll feature that version in an upcoming Everyday With an Edge -post, so do stay tuned!
The Hooded Dress works really well with corset and corselets. It has flowing lines, and the waist sits a bit higher. To give the dress more shape, I wear it with belts and corsets. The reverse puff-sleeve, or bishop’s sleeve, gives the dress a soft, feminine feel. Made with a full length hem, this dress would bear a very Victorian vibe.
A two layer hem paired with a corselet offers a chance to drape the hem. For the photos, I tucked the top layer of the front hem under the corselet’s waist. This creates a draped detail to the hem, and alters the look of the dress in a subtle way. In a fully black dress this trick isn’t too noticeable. Making the dress in two colours and draping the hem creates a more striking effect.
Next time, we’ll continue with the velvet print corselet. In Friday’s post I’ll also be revealing our theme for the next two weeks!